Belle-Pilar Fleming
Statement
My process is grounded in both textile-based techniques and printmaking, particularly lithography and screen printing. The result is a conversation between reproducible matrices and sewn substrates, with the aesthetic qualities of each informing the other. In addition to a love for print processes and the utilitarian labor inherent in the art form, I am interested in negotiations of memory through reproduction, and the many social spaces which prints occupy. I am conjointly drawn to textile-based practices traditionally associated with female labor including sewing, quilting, embroidery, and mending, and use these techniques, in addition to print, to explore lineage, intimacy, and affect. Much of my work includes figurative elements, and I am compelled by the ways in which body language, clothing, and gesture hold emotional space. Fragmented and collaged images speak to the complexity of identity, as well as the imperfect categorical systems present in archival spaces
.